646f9e108c Bank-robber Franck Adrien is serving a prison sentence after robbing a national bank. Before he was caught he managed to hide the money but now it's not just the police who are looking for the money. His cell-mate is Jean-Louis Maurel, an alleged rapist/child molester who claims his innocence. When the court finds Maurel not guilty, Maurel promises to look after Franck's family when he gets out. But one day, a man called Manuel Carrega tells Franck that Maurel is a suspected serial killer and that Franck's family is in danger. Franck escapes from prison and police officer Claire Linné and her team take up the chase.
This almost comes acrossa TV Movie but its standard is much higher.<br/><br/>The action is mostly but not entirely in the tension. There are some really nice entirely physical cliffhangers to pull you to the edge of your seat.<br/><br/>The characterisation is superb and the plot, while admittedly a cliché, is excellently implemented.<br/><br/>Anyone who likes police drama or investigative thriller will find this an unusually good film of its genre.<br/><br/>For those that like any amount of the above but also want some eye candy, the cast will appeal to male and female alike.<br/><br/>I'm not that big on cheap melodrama type stuff (preferring deeper movies) but this one got me with the clarity and definition of portrayal of each role in the film.<br/><br/>It shocks. A bit like a knife in the side ;)
THE PREY is a French take on the man-on-the-run genre. This time our hero is a bank robber in prison who makes the mistake of trusting someone he shouldn't. Soon his stashed loot has been stolen and his family are under attack. Naturally he breaks out, leading to a three way race where he pursues the man who betrayed him whilst being chased by a driven female cop. Cue lots of hanging off trains, running into oncoming traffic and jumping out of windows. It's a very pure film, with little in the way of sub-plots, which keeps the suspense up and builds thrilling sequences. Dupontel and his hilarious curly hairdo bring a much needed humanity to the main character, who must be made of rubber considering the absurd amount of damage he takes only to keep running. The villain is also effectively creepy. It never aspires to be anything more than entertainment, but more than lives up to its promise, right down to the soppily happy ending.
Director, Eric Valette, is an exuberant market-stall trader, hawking knock-off ingredients.

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